Back ] Home ] Next ]STARS ILLUSTRATED P. 233TABLE OF CONTENTS OF THE DEC.-JAN. 2005 ISSUE    INDEX OF CATEGORIES AND ARTICLES   STARS ILLUSTRATED CONTENTS

CELEBRITIES OF THE YEAR: FROM THE MOST BORING TO THE MOST TALENTED

MOST TALENTED AND LUCKIEST CELEBRITIES

ALLISON ENGLAND

Alison is a divine sparkle on stage. She is a Femme Fatale with a heart. Quite a rarity! Her biography tells us that, SOPRANO ALISON ENGLAND has been in great demand since her 1991 operatic debut as Celia Wade in Carlisle Floyd’s The Passion of Jonathan Wade for the Miami Grand Opera. Hailed by critics as a powerful singer with a “chilling, velvety operatic voice” that fills up the theaters, England has performed with various companies across the country, including symphonies in Seattle, St. Louis, Honolulu and Miami; the Los Angeles Philharmonic and major concert halls such as the Kennedy Center in Washington, D.C., and the Avery Fisher Hall in New York City. England has dazzled in leading roles in various operas and musicals such as The King and I, The Sound of Music, Carmen, Le nozze di Figaro and many others, including appearances in TV’s “Dharma and Greg.”While one newspaper critic has pegged her as “one of the hardest-working women in music,” it is perhaps one of the few categories in which England can be placed. Blending comedy, musical theater and opera is England’s signature—one she enjoys tremendously because it allows her to display her many dimensions. “ It’s like putting Maria Callas, Judy Garland and Carol Burnett all in one body—what do people do with that?” she said during a recent interview. England herself had no trouble finding a niche, however. For about 10 years she has been putting on solo shows, benefits and fund-raisers featuring her quirky twist on classics, and recently she performed her biggest show to date: a 70-city concert tour called “Opera, Broadway and Beyond.” From her Hollywood studio, England shared her tour experience. Alison England, according to Opera News, "has it all... the looks, the voice, the temperament." Her 1991 Greater Miami Opera debut as Celia Wade in Carlisle Floyd's The Passion of Jonathan Wade was hailed by critics and by Floyd. She was immediately engaged to repeat the role of Celia with the Seattle Opera and to appear in the title role of Floyd's Susannah at Kansas City Lyric Opera -- both directed by the composer. "A star in interpretation and musical skill" (Anaheim Bulletin). FEMME MAGAZINE called England "The Divine Diva...One of the world's best opera singers." Her credits include: Film & T.V.: "E" Television--Violetta, La Traviata, "E" TV. Dharma & Greg--Cio-Cio-san, Madame Butterfly, ABC Television. Dharma & Greg-- Marguerite, Faust, ABC Television. National TV Commercial (Viking)--Breünnehilde, Die Walkure, Skytel pagers.  Operetta & Musical Theater: Mabel, Pirates of Penzance with Donald Adams),   Dorothy Chandler Pavillion.    Eliza, The Zoo (with Angela Landsbury),  Ambasador Auditorium.  Casilda, The Gonoliers (with Donsld Adams), L.A. Master Chorale. Anna, The King & I,  Haugh Performing Arts Center.  Aldonza, Man of La Mancha,  Haugh Performing Arts Center.  Mrs. Claus, Christmas Spectacular, Radio City Music Hall .  Leading Roles Opera: Musetta,  La Boheme, Hawaii Opera Theatre. Donna Elvira, Don Giovanni, Connecticut Opera. Celia Wade, The Passion of Jonathan Wade,  Seattle Opera and Florida Grand Opera. Alice Ford, Falstaff, Juliard Opera Center. Tebaldo, Nozze Di Figaro, Los Angeles Opera Theater, etc.
 

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