CONTENTS. PART TWO
11.JUDAICA:
THE BEST OF JUDAIC ART: HISTORY, DEVELOPMENT AND STYLES,
by MAXIMILLIEN de LAFAYETTE.
Defining what Jewish art is and
who is a Jewish artist is more problematic and subjective than defining art
itself. Jewish artists from all eras and various nations contributed ad
infinitum to various and multiple schools, styles, genres and aspects of
classical, abstract and modern art. In many instances, no Judaic or Hebraic
artistic creativity was ever associated with the nature, the theme and message
of their work. Add to the fact that, many non Jewish artists from all
centuries mirrored and depicted memorable events from the history of Israel,
the Bible and modern Jewish conflicts around the globe. For instance, the
famous “Jewish Polish Village Series” which depicted destroyed wooden
synagogues in Eastern Europe was done by a non-Jewish artist Frank Stella...P.301
- 305

12.JAZZ CORNER: It seems everybody wants to be a jazz singer nowadays. People of all ages turn up at 'open mic' sessions to perform their party piece. But why this sudden eruption of would-be vocalists? Maybe because singing looks easier than playing an instrument, although it isn't. Or maybe it's because there are so many good jazz singers in Britain to inspire them. There's Stacey Kent, Tina May, Claire Martin, Clare Teal, Barb Jungr, Anita Wardell, Sheena Davis, Cathie Rae and plenty more. Until recently, the guys had fewer role-models, but then along came Jamie Cullum whose career received a mighty boost when he was signed by Universal. P.306 - 310



13.BEST
ISRAELI AND PALESTINIAN ARTISTS. ESSENCE OF ART AND ABSTRACT ART IN TWO
DIFFERENT CAMPS AND LIFE’S GALLERIES: THE ART OF ISRAEL AND PALESTINE,
by MAXIMILLIEN de LAFAYETTE.
This article reveals truth, reality, unaltered dimensions, feelings, talents and major work of leading Arab and Israeli artists living in the Near East, Middle East and spread around the world. There are a lot of pros and cons opinions expressed herewith. They are NOT ours. Those opinions were deemed indispensable to be included in our article, because they constitute the very fabric of similarities and differences in way of life, politics, social structure and substructure, artistic ideologies and accomplishments, social and artistic struggles, genius, visions of today and tomorrow. This article should prove extremely informative and educational. We have included and encompassed several articles and statements issued by all parties. In addition, we have carefully selected the work of featured Arab and Israeli artists for obvious reasons. We are NOT in the politics business. P.311 - 324
CABARET
THE WORLD OF CABARET FROM A TO Z: ORIGIN, HISTORY, DEVELOPMENT, STYLES, GENRES, LEGENDS, CELEBRITIES, STARS, SINGERS, REPERTOIRE, GLAMOUR, ELEGANCE, DRAMA... P.325




14.
CABARET: THE GREATEST SINGERS OF ALL TIME. WHO IS
AND WHO IS NOT A TRUE CABARET SINGER IN THE UNITED STATES? By Maximillien de
Lafayette.
WHO IS AND WHO IS NOT A TRUE CABARET SINGER IN THE UNITED STATES? P.325







WHO ARE THOSE FEMME FATALES? P.327 PORTRAIT OF A CABARET DIVA . P.328. DEFINING THE STARDOM OF A CABARET STAR . P.332. THE CABARET SONGWRITERS: DIVERGENCE AND CONVERGENCE. P.333. SOPHISTICATION OF THE CABARET SINGER. P.335. INTERNATIONAL POLLS: AMERICA'S BEST CABARET SINGERS-ARTISTS-ENTERTAINERS. P.337. CABARET IS NOT AN ACADEMIC SUBJECT. P.339. WHAT MAKES A SINGER " A CABARET CHANTEUSE"? P.340. THE FIRST KNOWN CABARETS. AUTHENTICITY IN CABARET: HERITAGE AND INNER FEELINGS. P.342.

PLEASE,
MADAME LEARN HOW TO PRONOUNCE "E" IN FRENCH. "E" IS PRONOUNCED "EU", NOT
EH! P.342.
If you are NOT a French-born singer, and you want to sing in French,
please
observe the following...IMPORTANT ADVICE!
P.342.



BE
AS AUTHENTIC AS POSSIBLE! EXPAND YOUR REPERTOIRE.
P342-343. LA CHANTEUSE DE LA
MAISON. P.344. WHAT IS
CABARET?P.344. A PROTOTYPE OF
A CABARET SINGER: THE AMERICAN-FRENCH CABARET SINGER AND DANCER.
P.345.
THE AURA OF THE CAPTIVATING CABARET ARTISTE-CHANTEUSE: CLASS, STYLE, ELEGANCE, GLAMOUR CREATE DRAMA AND PRESENCE. P.346.
15.HISTORY OF THE FRENCH CABARET AND ENTERTAINMENT


HISTORY
OF MUSIC, ENTERTAINMENT, SHOWBIZ AND CABARET IN FRANCE FROM THE 17th CENTURY
TO PRESENT.
This is
the true history of Cabaret and how it came to existence. Our story will bring
so many memories and passages of history forgotten in the dark alleys of life
and on the dusty shelves of our mind. Some names and places are familiar,
while others are obscure and unknown for obvious reasons. More precisely,
because many of those places disappeared long time ago from the old Parisian
landscape. Some were ravished by the hardship of time, others demolished to
give place and definition to modern edifices, offices buildings, parking lots,
and in some instances to be replaced by modern Cabarets, facilities and
locals. As to people’s names, some were forgotten because, they shined for a
while and vanished for reasons we know and reasons we ignore. Once upon a
time, their music and words entertained many sad souls and adventurers who
found comfort and consolation in their warmth and imaginative style. But,
unfortunately, they lost appeal because they became “Demodes” meaning out of
fashion and out of style.
THE VERY BEGINNING.
P.348. ARISTIDE
BRUANT. P.349. THE BIZARRE CABARETS OF
PARIS. P.350.
16. WORLD OF ART



HIGHLIGHTS
OF THE YEAR: FRENCH IMPRESSIONISM IN CHINA, FLORENCE BIENNALE, DIGITAL ART OF
JOSEPH NECHVATAL, CYNTHIA KARALLA'S PHOTO MONTAGE, RICK PROL & JAN LYNN NEW
YORK'S EAST VILLAGE SHOW.
P.353-355


