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THEATER: PLAYS, MUSICALS AND PERFORMERS TO REMEMBER

 

 
 

   Zellweger Triumphs!

After triumphing as a musical heroine in the Oscar winner ``Chicago,'' Renee Zellweger ends her new comedy, ``Down With Love,'' with a song. ``When we did that song I wasn't even supposed to be recording,'' Zellweger said of the duet with her co-star, Ewan McGregor. ``(I was) just singing along and we started playing together. Ewan was in the booth and I was outside and off we went, and it was like the best recess of all time. We laughed out loud and it just felt like a throwback to another era altogether, and they ended up keeping it.''  How appropriate, because the entire film, which opened Friday, is a throwback. In this homage to the 1960s Doris Day-Rock Hudson romantic comedies, Zellweger stars as Barbara Novak, a feminist author new to Manhattan who has published a self-help book for women, ``Down With Love.''  ``Moulin Rouge'' star McGregor plays the dashing, love-'em-and-leave-'em bachelor Catcher Block, who wants to expose Barbara as a hypocrite capable of romance. Zellweger, nominated for a Best Actress Oscar for her work in ``Chicago,'' explained why she opted not to sing that film's Oscar-nominated title song at the Academy Awards.  ``I don't regret not doing it,'' she said. She ``loved'' what co-stars Catherine Zeta-Jones, Queen Latifah and the ``Chicago'' dancers did onstage. ``My heart went `Yeah!' but I know myself and my work ethic,'' she said. ``I know I was really tired when I landed back in America in March.''  Zellweger had returned from a lengthy Romanian shoot during which the all-star ``Cold Mountain'' company (Jude Law, Nicole Kidman) re-created Civil War America. ``I would have been there at that theater in my tap shoes, and I wanted that experience (of being a Best Actress nominee) to be something else,'' Zellweger said.  ``I wanted it to be about celebrating rather than preparing. I thought my first-ever live performance in front of real people should not be between commercials and go, go, go. I want to stand and have a moment and breathe and savor that moment, for different reasons. Yeah, it was not the night.''  Since her breakup with her ``Me, Myself & Irene'' leading man Jim Carrey several years ago, Zellweger has avoided discussing her personal life. But when asked if she has ever had a Catcher Block in her life, she harkens to her Texas childhood.  ``At camp when I was 9, I think I met a guy like Catcher. This boy asked me to the camp dance. . . . I had a terrible crush on this boy; he was something. He was probably 10 and what a man,'' she said, laughing.  But, alas, the date never happened.  ``He heard that the really hottie chick who was really older - she must have been ripe at 12 or something, with the big hair and big other things - was interested in him.''  Is she still a romantic? Zellweger, who is contemplating reprising her role as Bridget Jones, smiled and said, ``Even after that traumatic 9-year-old, you know, I completely have faith.''

 

 
Hairspray Makes the Big Buzz!

Australians may not have led the charge at yesterday's 57th annual Tony Awards in New York but they weren't entirely overlooked. Hosted by Hugh Jackman, the awards were presented at Radio City in one of the more polished ceremonies to date, featuring excerpts from each of the nominated musicals, including a knockout performance by Bernadette Peters of Rose's Turn from Gypsy. Catherine Martin won best scenic design for her dazzling sets in Baz Luhrmann's staging of La Boheme while Nigel Levings won best lighting. The production itself, however, lost out to the musical Nine in the best revival of a musical category, as did Gypsy and Man of La Mancha. On the whole, there were few surprises apart from Nine's triumph and the fact that Sam Mendes's acclaimed production of Gypsy was all but ignored, probably because it was a late starter in this year's nominations field. The leader of the pack was the musical Hairspray, which won eight of the 13 awards it had been nominated for, including best musical, best leading actor for Harvey Fierstein, best leading actress for Marissa Jaret Winokur, best support actor for Dick Latessa, best direction for Jack O'Brien, best book of a musical for Mark O'Donnell and Thomas Meehan, best costumes for William Ivey Long and original score for Marc Shaiman and Scott Wittman. Receiving the award, the collaborators and long-time companions thanked each other. "I love you, and I'd like to live with you the rest of my life," Shaiman told to Wittman. Then they kissed.-Brice Halet.

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