WHAT MAKES A SINGER " A CABARET
CHANTEUSE"?

Photos
from L to R: #1. A view of an old and traditional Cabaret “Salle” of La Belle
Epoque (19th century-early 20th century). #2. The Lido
Cabaret poster.
A
female singer who sings “Ne me
quittes pas” or “La vie en rose” does not categorically become a Cabaret
singer!
Sensually grabbing a microphone…wearing a long black satin gown…leaning
against a pianist or a chair strategically positioned on stage or against a
baby grand…personifying Edith Piaf or Marlene Dietrich…wearing a top hat…a
hairdo a la Parisienne “Des Annees Folles”, singing the songs of Weil, Jean
Constantin, Sacha Guitry, Jean Cocteau, Barbara, George Brassens, Jacques Brel,
Charles Dumont, Maurice Chevalier, Patachou, Danielle Darrieux, Cole Porter,
Gershwin and Sondheim don’t create a cabaret, nor a cabaret singer.
To learn about Bouzouki and to sail
into the soul of its music and inner sensations, you don’t have to read about
it in the Art Section of The New York Times or research its aspect at the
Library of Congress. A simple, uneducated, regular peasant or islander in
Greece knows more about Bouzouki than all the Ph.D.s in music and music
history at Harvard, Princeton and Yale. If you want to feel and understand
Bouzouki, just ask a Greek, a very ordinary national Greek who grew up in
Greece, as simple as that. Ask a Greek Bouzoukist who spent all his life
praying for Ayou Alexandrou (St. Alexander), drinking Ouzo and playing the
Bouzouki in his house, in the narrow streets of Pyrrhea, La Placa, on the
shores of Crete, or around a dusty corner of a Greek Taverna. This ordinary
native Greek who grew up with Bouzouki, listened to Bouzouki all his/her life
and danced the Sirtaki since he/she was 4 year old knows more about Bouzouki
than you and me. By the time he/she was 10, he/she has already earned his/her
Ph.D. in “Bouzouki Real Life Musiki”. Life taught him/her what Bouzouki is.
He/she was an inner part of it on a daily basis. It is a part of his/her
culture, heritage, history, national pride and traditions. French Cabaret
Chanteuses feel the same way.

Photos:
The legendary French chanteuse Barbara, known as "LA CHANTEUSE DE MINUIT"
(The Midnight Singer). The cabaret singer who makes you think and redefine
your life. She was romantic, philosophic, intellectual, classy and knew how
to deliver a cabaret repertoire. She attracted both, the sophisticated
intellectual and the blasé adventurer. Her persona is diametrically opposed
to a "standard cabaret" American singer.
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