HIGHLIGHTS OF THE YEAR: FRENCH IMPRESSIONISM IN CHINA, FLORENCE BIENNALE, DIGITAL ART OF JOSEPH NECHVATAL, CYNTHIA KARALLA'S PHOTO MONTAGE, RICK PROL & JAN LYNN NEW YORK'S EAST VILLAGE SHOW
IMPRESSIONISM:
FRENCH TREASURES IN CHINA
Photo: Hong
Kong Museum of Art.
The Hong Kong Museum of
Art is one of the museums managed by the Leisure & Cultural Services
Department. Established in 1962, it was first housed in the City Hall, moving
to its present purpose-built premises by the Hong Kong Cultural Centre in
1991. The museum also has a branch, the Flagstaff House Museum of Tea Ware,
located in Hong Kong Park. Its collections now number in excess of 13,000 art
objects, including Chinese paintings and calligraphy works, antique Chinese
treasures, paintings of historical significance as well as creations by local
artists. But the highlight of the current exhibitions of the museum is the
French Impressionism Collection exhibit
Jointly presented by the Leisure and Cultural Services
Department, French Ministry of Foreign Affairs, French Ministry of Culture and
Communication and Consulate General of France in Hong Kong. This exhibition
has been made possible in the People's Republic of China - Beijing, Shanghai
and Hong Kong - with the generous support of LVMH/Mo
t
Hennessy-Louis Vuitton and Christian Dior and in Hong Kong with the most
generous support of HSBC. This is the real highlight program of "The
Year of France in China".
Reciprocating
the celebrated cultural exchange program Year of China in France in 2004, the
next significant cultural event coming up is the Year of France to be held in
China. A highlight of this program will be the exhibition Impressionism:
Treasures from the National Collection of France, which showcases around 47
impressionist masterpieces selected from the prestigious Musee d'Orsay in
Paris and other major French museums. Exhibits will include internationally
acclaimed and much loved masterpieces of the impressionist school, such as
Manet's The fifer, Degas The dance class and Monet's Water lilies, as well as
other works by these artists and by Pissarro, Sisley and Cézanne, etc.
Interpreting impression as an impression at a glance or frozen in time, these
artists turned their back on traditional subjects - historical events,
mythology and religious themes - and instead recorded the cityscapes, daily
life as well as charming scenes of nature in the post-Industrial Revolution
Europe of the 19th century. Breaking away from the rules of conventional
painting techniques, they used vigorous, painterly brushwork and looked to the
magical play of lights and colors as they searched for a more atmospheric
effect. The invention of photography and the introduction of Japanese prints
at this time also inspired the artists interest in space and composition and
drove them to experiment with new techniques to render the world. The
impressionists thus played a major role in raising the curtain on modern 20th
century art.
Continues on the next page.